According to familiar accounts, Rousseau held that humans are actuated by two distinct kinds of self love: amour de soi, a benign concern for one's self-preservation and well-being; and amour-propre, a malign concern to stand above other people, delighting in their despite. I argue that although amour-propre can (and often does) assume this malign form, this is not intrinsic to its character. The first and best rank among men that amour-propre directs us to claim for ourselves is that of occupying (...) 'man's estate'. This does not require, indeed it precludes, subjection of others. Amour-propre does not need suppression or circumscription if we are to live good lives; it rather requires direction to its proper end, not a delusive one. (shrink)

This part of the philosophy of psychology I refer to as 'moral psychology'; and, therefore, this book is offered as a contribution to moral psychology. ...

Did Alcidamas invent the story of the contest of Homer and Hesiod? Martin West has argued that he did , 433 ff.). I believe that there are a number of reasons for thinking this improbable. The stories of the deaths of Homer and Hesiod were traditional before Alcidamas. Heraclitus knew the legend of the riddle of the lice and Homer's death , and the story of Hesiod's death was well known by Thucydides’ time . The first attempt to record information (...) about Homer's life is ascribed to Theagenes of Rhegium, in the late sixth century b.c. . By that time it seems likely that there was already a considerable body of legends about the early poets. The pieces of hexameter verse in the Herodotean Life of Homer, some of which show detailed knowledge of the area around Smyrna in the archaic period, probably date from before 500 b.c. In relating the stories of the poets’ deaths Alcidamas is recording the results of στορα, and this is what he implies in Michigan papyrus 2754 . West's theory requires one to assume that he has incorporated with these traditions his own fiction of the contest. This seems to me to go against what we know in general about the activity of sophists such as Alcidamas. Although they were capable of inventing myths , there is no evidence that they created such stories about earlier historical figures, rather than collecting popular legends about them, and using these for their own purposes. It is true that Critias used the evidence of Archilochus’ own poetry to draw conclusions about his life . But this is not the same as inventing a story virtually from scratch. Hesiod's own testimony about his poetic victory , the original starting-point for the legend of the contest with Homer, did not on its own provide a basis from which such inferences could be drawn. It seems more likely that the legend is the product of earlier popular embroidery, at a time when speculation about these early poets’ lives was becoming common. (shrink)

How do we refer to people in everyday conversation? No matter the language or culture, we must choose from a range of options: full name ('Robert Smith'), reduced name ('Bob'), description ('tall guy'), kin term ('my son') etc. Our choices reflect how we know that person in context, and allow us to take a particular perspective on them. This book brings together a team of leading linguists, sociologists and anthropologists to show that there is more to person reference than meets (...) the eye. Drawing on video-recorded, everyday interactions in nine languages, it examines the fascinating ways in which we exploit person reference for social and cultural purposes, and reveals the underlying principles of person reference across cultures from the Americas to Asia to the South Pacific. Combining rich ethnographic detail with cross-linguistic generalizations, it will be welcomed by researchers and graduate students interested in the relationship between language and culture. (shrink)

Ambiguity in the Western Mind, edited with an Introduction by Craig J. N. de Paulo, Senior Editor, et al. New York: Peter Lang Publishers, 2005. Details: Preface by Joseph Margolis and distinguished contributors include John D. Caputo, Camille Paglia, Jaroslav Pelikan, Roland Teske, S.J. et al.